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Lecture 2 on the Overtone Series
Lecture 1: Structure of music and "Great Composers
and Great Music."
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Lecture 2: What is the Overtone Scale.
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Lecture 3: Hearing the overtones
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Lecture 4: Using the overtones to form chords.
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Musical instruments produce
sound waves or 'energy' in a vibratory motion by beating, blown, plucked, struck or frictionized with a bow. Now, on
the piano, when you strike a note you assume you are hearing only one note, but you are
not. You are simultaneously hearing a series of higher tones that are sounding at
the same
time. These tones are arranged by nature and rules by physical
laws. When striking a string on the piano, you are
not only playing the whole string but also fractional parts of the string. It is as if the
string is divided into
halves, thirds, quarters etc. The smaller the segments the
faster the vibration
and the higher the tones, thus the overtone series. These overtones (harmonics) are all sounding
together producing the full
string. As is apparent the tones sounding more faintly as they move
higher. There is an overtone series on every note we strike, but the tones are
more
audible when striking the lower notes. That is why when striking
lower tones they have a richness and fullness that the higher tones to not
have. In other
words, we can hear more of the overtones when striking the lower
notes.
Lecture 1
Lecture 3
Lecture 4
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